Water Seed Marvels The Bitter End During The We Are Stars 2017 Tour

 

Water Seed continues their dominance as one of the premier funk/soul acts in the independent music scene. Their performance at The Bitter End resulted in a pumped-up-crowd standing ovation that marveled New York City through the bands innovative musicianship.

Hailing from New Orleans, Water Seed’s funkalistic performance was vocally breathtaking, soulfully beloved and instrumentally magnificent as the sounds of jazz, funk and early 60’s R&B flushed throughout the legendary NYC venue.

Water Seed kicked off the night with a little “Funktimus” while audiences danced away to their seats, feeling the vibe of Water Seed’s livid and extravagant sound filled with dynamic horns, immense string and rumbling percussion that ascended through rivetingly alluring vocals. The band’s impressively funktagious performance blew us away with a jammed out session bursting with big band arrangements and reverberating instrumentation.

Water Seed’s breezy Nawlins’ groove, “Work It Out,” was a delightfully smooth example of the band’s soulful and jazzy-esque sound that allowed audiences to give themselves away to the chilled early 60’s boardwalk rhythms. Water Seed’s refreshing jazz piece, “Duke’ish,” held electrically jazzy overtones, funky 70’s-esque vibes and profound artistry that merged beautifully among soothing keys and distinct basslines.

Nawlins’ finest then gave the crowd a little positivity under their song, “Brand New Day,” as Lou Hill led the charge with an “I feel good! - I feel great!” chant, guiding audiences through a full-on jazz-funk fest filled with a harmoniously spacious flute, seductively provocative keys and driven horns. Berkley The Artist and Shaleyah added another powerful vocal performance as Water Seed jammed out on stage in front of a packed crowd, offering a climactically exhilarating voice ushered with gospel-esque and funkadelic rhythms.

Water Seed’s memorable performances continue to be a testimony to the band’s innovative and progressive style that has dominated the indie music scene. Their album is rich with immense sound, charming melodies, funkalistic grooves and complex instrumentation. Their sound forces audiences on their feet – to dance, applaud and relish in the Water Seed experience.

The band’s vigorous energy, jazzy arrangements, along with genre binding musicianship, allows Water Seed to sustain their spine-tingling presence within a genre that continues to gain appeal in the industry.

Make sure to catch Water Seed live in a city near you and download/stream, “We Are Stars,” today! Tour dates and locations shown below.

 

Tour Dates

7/13. Seven. Santa Barbara, CA

7/18. Hotel Utah. San Francisco, CA

7/19. Crazy Horse. Nevada City, CA

7/20 through 7/22. Peppermill Casino. Reno, NV

7/23. Lagunitas. Petaluma, CA

7/25. Winston's. San Diego, CA

7/27. Pour House. Oceanside, CA

7/28. Hotel Cafe. Los Angeles, CA

 

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Bruce Sudano Examines Music, Society & Politics at The Cutting Room

 
Bruce Sudano on stage at The Cutting Room.

Bruce Sudano on stage at The Cutting Room.

Bruce Sudano performed his record release show this month at The Cutting Room in New York City for his new album “21st Century World". In front of a full crowd at the renowned midtown venue, Sudano guided us through his journey of love, reflection and acceptance, while also brilliantly examining the societal, political and emotional facets we endure today.

A prolific singer-songwriter and instrumentalist, Bruce Sudano has had a distinguished career co-writing songs for Michael Jackson, Jermaine Jackson, Dolly Parton, Reba McEntire and his late wife, the Grammy-awarding winning and generation-defining artist, Donna Summer.

For music enthusiasts out there (including you hardcore disco fans), Sudano managed most of Donna Summer’s career and co-wrote some of her biggest hits including “Bad Girls”. Sudano was also one of the founding members of late 60’s pop-rock band Alive N’ Kickin’ and late 70’s doo-wop/soul band Brooklyn Dreams. Alive N’ Kickin earned a Billboard Hot 100 spot with their record “Tighter, Tighter,” as well as Brooklyn Dreams with their song “Music, Harmony and Rhythm".

Bruce Sudano performing "Your World Now" during his album-release show at The Cutting Room.

Bruce Sudano performing "Your World Now" during his album-release show at The Cutting Room.

Just coming off a European tour with emerging New York rock band, Hollis Brown, Sudano’s masterful performance was an inspiring, bold and informative excursion into the human element of today’s social and political challenges. The veteran musician’s distinct range of sound, beautifully coiled melodies and visionary storytelling illustrated Sudano’s brilliance on stage and the meticulous artistry he provides in his music.

As opposed to the jazz, pop and soulful elements portrayed in previous solo works, Sudano’s recent masterpiece provides listeners with components of American rock & roll, folk and activist song-writing that merge the lines between music and politics. Since the untimely passing on his late wife, Sudano’s music has increasingly gone into the fabrics of adulthood and the issues surrounding our society through his personal experiences.

In a direct testament to Sudano’s versatility and reach as an artist, we witnessed the singer-songwriter’s adaptive lyricism and precise compositions in his songs “Your World Now” and “It Ain’t Cool". Sudano’s intuitive arrangements gave off indie-folk and rock elements that enhanced a collection of voluminous beats, sassy strings and fine narratives. His passion and confident eloquence were illustrated beautifully in these performances as he sat intimately close to us, singing the memoirs of our time.

Bruce Sudano performs "21st Century World" at The Cutting Room

Bruce Sudano performs "21st Century World" at The Cutting Room

His songs “True Believer” and “Common Sense” exemplify Sudano’s strength as a vivid storyteller and a measured songwriter. His take on the meaning of Christianity in “True Believer” are presented with still folk harmonies and revealing Americana vibes. In “Common Sense", Sudano provides a softer piece coupled with a smoldering outrage that calls for us to wake up and understand the responsibilities within our fragile society.

One of the more memorable segments of the evening featured Mike Montali, lead singer of New York rock band Hollis Brown and producer of Sudano’s “21st Century World” album, who performed over Sudano’s cover of Tracy Chapman’s “Talkin’ Bout a Revolution". As the crowd majestically clapped their hands, Montali and Sudano delivered a resounding performance that was filled with a communal and defiant sound.

Bruce Sudano (far-left) and Mike Montali (right) performing Tracy Chapman's "Talkin' Bout a Revolution" at The Cutting Room.

Bruce Sudano (far-left) and Mike Montali (right) performing Tracy Chapman's "Talkin' Bout a Revolution" at The Cutting Room.

With storied musicianship, gifted songwriting and avid storytelling, Bruce Sudano’s sound has transcended throughout the decades from timeless dance hits to protest memoirs. Despite the ups and downs throughout his career, Bruce Sudano has maintained relevancy with an ever-changing sound that customizes to the changing times. “21st Century World” is a brilliant example of Sudano’s resilient lyricism, indulging musicianship and embracive measure. Certainly a must listen for the year.

Bruce Sudano on the guitar at The Cutting Room.

Bruce Sudano on the guitar at The Cutting Room.

For more on Bruce Sudano, please visit his social below and make sure to download/stream, “21st Century World,” today. Out now on all digital and streaming music platforms.

 

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Raul Midón Releases New Single “Pedal to The Metal” ahead of his upcoming album “Bad Ass and Blind”

 
Photo courtesy of Blair Allen

Photo courtesy of Blair Allen

Raul Midón unveiled his latest heel-clapping single last week, “Petal to The Medal,” as the multi-instrumentalist singer-guitarist will release his highly anticipated ninth studio album “Bad Ass and Blind” this Friday.

Midón’s latest tune is a true testament to the percussionist’s jazz-inspired soul that has placed him among some of the finest musicians in the genre. This get-on-your-feet jam is a philosophical expression that glides into Midón’s musical success, confidence and commitment that drives his passion for music and instrumentation.

Visually challenged at birth, Raul Midón’s artistry allowed him to shatter barriers throughout the industry, playing along side the likes of Jose Feliciano, George Benson, Shakira, Stevie Wonder and the late great Al Jarreau. His influences in the Latin, jazz and soul genres, exemplify Midón’s willingness to adopt, evolve and sustain his sound that has spanned over an illustrious thirty-year career.

Raul Midón’s mastery of the guitar, percussion and complex vocals stem from his extensive musical experience and influences. His elusive style on the strings enables Midón to create a jazz-infused flamenco that allows his audience to embrace his harmonic melodies and tender voice. Midón’s impressive vocal-horn technique creates a Miles Davis-esque sound that brings roaring 20’s bebop sound straight from his lips.

Along with his free two-hand play that makes him synonymous with a “one-man orchestra,” Raul Midón’s music elicits the freedom, enthusiasm and charisma that aptly provide strong instrumentation with complex rhythms and keen lyricism.

We truly recommend experiencing this brilliant artist and his music, as Midón’s impeccable work is a constant reminder as to why this genre remains a must-listen for years to come.  Make sure to pre-order his album today!

 

Guitar Center Clinic:

Raul Midón will be kicking off the New York leg of his “Bad Ass and Blind” tour with his Guitar Clinic at Guitar Center Time Square on Thursday, March 23rd at 6:00pm. Fans will be able to witness the singer-songwriter perform live, host a Q&A for fans, and offer a meet & greet. The show is opened to the public. Please arrive early, as space is limited.

 

Album Release Show:

Also, come out this Friday, March 24th, to watch Midón perform live at the Highline Ballroom for his album release show. Doors will open at 6:00pm and show starts at 8:00pm.  RSVP today!

 

Follow, stream and listen to Raul Midón on his social below!

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The Zombies Reclaim their Status Amongst The Pillars of Rock & Roll In NYC

 
 
 

Rod Argent and Colin Blunstone - founding members of legendary British invasion band the Zombies - played an impressive set at Rough Trade NYC last month in front of a packed-house filled with generations of inspired fans. Argent and Blunstone showcased an incredible set that was indicative of the Zombies harmonious sound and psychedelic expressions. Their performance highlighted how the band has reclaimed their relevancy in the rock & roll genre; while also making a substantial impact on both older and younger audiences bridging the gap between classic and modern rock.

As with most British Invasion bands that spread through the airwaves throughout the early to mid-1960s, the Zombies began touring the United States in 1964 behind their hit single, “She’s Not There,” which peaked to No. 2 on the Billboard Hot 100. the Zombies performed at various venues across the U.S. while on tour and made their first U.S. television appearance in 1965. Their subsequent hit single, “Tell Her No” peaked at No. 6 on the Billboard Hot 100 in March of 1965 and had become one of their biggest U.S. releases.

After signing with CBS Records from Decca Music Group, the Zombies released their classic studio album, Odessey and Oracle, in 1968. Over the past several decades, the album has since received international acclaim as one of the staples of 1960s expressionism with the Zombies hit song, “Time of The Season,” “This Will Be Our Year” and “Care of Cell 44.”

On that Thursday evening in Brooklyn, we were honored to witness Argent and Blunstone perform some of the Zombies' hit songs that triumphed during their 1960's debut. With open arms, Blunstone’s entrancing voice embraced audiences as they were drawn closer to the intriguing harmonies and melancholy hooks. The duo opened the show with the charming “Tell Her No” followed by the Zombies' debut hit “She’s Not There.” We stood together with the crowd and sang along with Blunstone’s cadent voice, echoing graciously across the stage. He helped the crowd follow his lead, providing comfort for both those reviving their youth and for the new generation reaffirming their appreciation for the Zombies' pioneering sound.

We were ultimately blown away when the Zombies performed their hit song, “Time of The Season,” when the crowd, no matter the generation, sung along to the classic record. Blunstone and Argent’s breezy acapella smoothed our ears with the songs expressive harmonies and relaxed melodies that were able to make us feel as one. They also performed songs from Still Got That Hunger, which provided audiences with a fresh taste of the Zombies latest works such as, “Moving On” and “Edge of the Rainbow,” that exemplified the band’s historic versatility and dynamic reach within their music.

Our experience of the Zombies performance that evening was intangible. The ability to witness these two pioneers of rock & roll brought upon a rare treat that reinforced our appreciation for musicians from that classic area and illustrated how powerful their impact has been and will be on current and future musicians. Although their music careers have had twists and turns – make no mistake – the Zombies are here to stay. As one of many 60’s and 70’s rock bands re-defining their legendary status through new albums and sold-out tours around the world, the Zombies have come off the bench and into the starting line-up.

Their new album is filled with vividly expressive lyrics, powerful instrumental talent, and a puff of smoky vocals that's rare to find these days. The Zombies showcased those talents effortlessly at Rough Trade, and most importantly, they did so by collectively bringing back the classic hits that continue to draw appreciation from fans and musicians across the world. They have continued their musical journey that aims to break barriers and surpass preconceived notions of rock: we couldn't be any more thrilled to hop along for the ride.

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Hollis Brown Captures the Essence of American Rock & Roll at Berlin NYC

 

New York City rock & roll band, Hollis Brown, played in front of a packed-house at Berlin NYC last Wednesday during the second performance of their Berlin NYC residency. We've been fortunate to lay eyes on this emerging five-piece band for the fifth time, as they continue to raise our eyebrows with compelling melodic content, compassionate lyrics and mastery in live performance. The group's roaring sound, blended with roots of classic rock influences, resonated across the crowd-filled venue. With our ears full of the phonic notes of rock & roll, blues and Americana, it's no surprise Hollis Brown has a place as one of the leading independent bands in the genre.

Stemming from their Record Store Day release, Cluster Of Pearls, Hollis Brown began their month long residency at Berlin NYC on May 4, 2016. As in their first performance, their second date gave us a touch of both their older and latest works, jamming out songs such as "Ride on The Train," "Faith & Love", "Sweet Tooth," "Rain Dance" and "Cold City" as well as their iconic finale with "John Wayne". Each song exemplified Hollis Brown's raw, yet heart-felt, sonic arrangements that illustrate the band's vivid lyrical style and versatile songwriting ability. Hollis Brown's jeering and rapturous melodies capture the essence of rock & roll, inviting us into a realm where classic and contemporary rock blends together perfectly.

Lead singer/songwriter, Mike Montali, crooned the intimate LES venue with commanding, yet subtle vocals, enticing the crowd to draw closer towards him - mesmerized by the band’s jaunty and bluesy western-esque melodies. Standing up front side-stage, the crowd pushed us closer to lead guitarist Jonathan Bonilla as he demonstrated his stormy guitar skills filled with affirmation and ferocity. Bonilla’s muscular work on the strings, along with balancing touches from pianist Adam Bock, drummer Andrew Zehnal and bassist Scott Thompson, offered audiences with a complex and firmly rooted rock & roll sound that portrayed a heart-felt authenticity that radiated off stage.

International front-man, Tony Wright of VerseChorusVerse, kicked off the showcase with his musical brilliance that has spanned across the UK, Ireland and Europe. His polarizing lyrics and keen musical experimentation in the rock & roll space, offered a rare treat for the early birds that flocked to see Hollis Brown perform. Renowned alternative-country and folk-twang singer/songwriter, Don DiLego, followed putting on a spectacular show that drove audiences away from the cold Lower East Side and into a raw-boned saloon in middle-america - bringing bourbon, old tales and lost loves to mind. His mastery of the genre harnesses a melodious craft of fine-tuned musical skill, truly making Don DeLego one of the leading emerging artists to come out of the indie-rock and alternative country space.

As curators of classic rock, Hollis Brown is spearheading the modern rock & roll movement in a city that thirsts for an American-born sound. Their ambition to combine both classic and contemporary rock is a catalyst of their own music individuality that has garnished not only a revival in the genre, but a dedicated fan-base that seeks good-old fashioned rock & roll. Make sure to not miss your opportunity to see this incredible band perform live during their residency at Berlin NYC before it's too late. 

 

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Guitar prodigy, Marcus Machado, plays The Platinum Room at Guitar Center Union Square

 
Marcus Machado performs at Guitar Center Manhattan. Photo courtesy of Sean Jamar.

Marcus Machado performs at Guitar Center Manhattan. Photo courtesy of Sean Jamar.

Since meeting Marcus Machado last summer, the young guitar prodigy had already stamped his mark on the indie music scene by way of him winning Rolling Stone Magazine's "New Young Gun Contest" in 2014. His extraordinary talent, music influences and his relentless ambition for perfection has left a permanent impression that has reminded us of the days when funk, soul, blues and hip-hop flourished together.

Since the November 2015 release of his debut EP, "29," Marcus has taken the stage at some of New York's premier music venues including The Blue Note, SOBs and Subrosa. As a mastered curator of his sound, the prodigious guitarist has recorded and performed with industry greats such as Sandra St. Victor, Marcus Miller, V Jeffrey Smith, Pharoahe Monch and DJ Spinna - to name a few. When we attended Marcus's guitar clinic at Guitar Center Manhattan last week his performance, and on-stage persona, was indicative of how far he has come as an artist. His music has forged a path for the next generation of guitarists seeking to adopt their own sound; while also, inheriting those who had come before them. 

Marcus Machado plays The Platinum Room. Photo courtesy of Sean Jamar.

Marcus Machado plays The Platinum Room. Photo courtesy of Sean Jamar.

Along with contemporary greats, Daru Jones, Les Lemon and Paul Bloom Marcus Machado rocked the Platinum Room at Guitar Center performing original songs from his debut EP and renditions of iconic rock legends such as Prince, Eddie Hazel, Stevie Ray Vaughn, and of course, Jimi Hendrix .With features by V Jeffrey Smith and JS Williams, Marcus took charge with performances of Jimi Hendrix's "Power With Soul" and a masterful tribute to the one and only J Dilla.

Marcus's powerful rock-inspired anthem "Rockout" and soulful hip-hop jam "New Thangz" drew customers from across Guitar Center with sounds of jazz, funk, soul and rock piercing through the glass doors of the Platinum Room. Inspiring guitarists, fans and industry professionals looked on as Marcus and his 5 piece band lit up the room indicative of the vintage Gibson, Fender and Duisenberg guitars that hung above the stage. 

Marcus Machado and The Soulfolk Experience. Photo courtesy of Sean Jamar.

Marcus Machado and The Soulfolk Experience. Photo courtesy of Sean Jamar.

His feature on The Soulfolk Experience's "Chariot" illustrated a unique contrast and depth that Marcus applies to his music. The soft, bluesy and americana influences offered audiences with further appreciation for how versatile these incredible musicians that took the stage were and how important it was for many aspiring musicians to add to their craft. Marcus topped the evening with titanic finale to the late Phife Dawg with covers of A Tribe Called Quest and other early 90's hip-hop beats that defined not only an era, but an entire genre of music.

Marcus Machado is not only a prodigy, but a representation of a movement that is re-defining how we, as music lovers, view live performances and instrumentation. Marcus's sound is a resurrection of the time where the guitar ruled the stage of rock, funk and soul. As an emerging independent artist, Marcus is solidifying his place amongst his contemporaries and carrying the legacies of the iconic rock stars that came before. Truly the prodigy is ready for the next stage in his young promising career. 

Photo courtesy of Sean Jamar.

Photo courtesy of Sean Jamar.

 

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